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This tense horror is the directorial debut for James Wan, and the first screenplay written by actor Leigh Whannell, who also stars. Two men, Adam (Whannell) and Dr. Lawrence Gordon (Cary Elwes), wake up to find themselves chained to pipes in a room they have never seen before. Between them lies the dead body of a man with apparently self-inflicted gunshot wounds. As they begin to piece together the circumstances that led to their predicament, the pair realise they are the latest victims of a serial killer known as the Jigsaw, who orchestrates situations in which his captors will be driven to kill each other. They also learn that the killer has taken Gordon's family hostage. How can the men possibly outwit this sadistic psychopath in time to save themselves and the hostages? (Sony Pictures Releasing)

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Reviews (12)

3DD!3 

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English An atmospheric slaughter movie that I found surprising thanks to some of the twists. Great ideas put into practice well. Wan certainly knows his stuff. It was pleasant to see many well-known and quality actors alongside some unknown ones. But it isn’t so brutal and doesn’t make you jump, so don’t be afraid. ;) ()

D.Moore 

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English I didn't need the epileptic camera none-sense and the metallic soundtrack, but I admit that Saw is a good horror film, certainly above average by current standards. But I only realized this because of the great, great, great ending - until then I thought I was watching a rip-off of Seven, in which the characters occasionally do horribly stupid things (blinding illumination, by lightning, for example). ()

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Hromino 

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English This is a very powerful, intense, and somewhat petrifying movie that everyone should watch to get an idea of how to play games in adulthood, if no one wants to play with you anymore, and if you are tired of playing board games like Ludo. Of course, you clearly cannot say that about the other sequels, as they lack the form and concepts of the first movie. ()

novoten 

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English This basic premise was without the slightest clue of what I was getting into, and without the knowledge that I would see it countless times in future installments, it was really perfect back then. Despair, the unknown, and people in a strongly oppressive environment and situation still function today. It's a shame that with Jigsaw came the tormented cliché of "I'm aiming at you, but I'll wait until you take the weapon from me", because without it, Wan would have aimed really high. What the script loses here, it gains with the point. It may be problematic, full of holes, and perhaps even impossible, but it can't be taken away from it that it is truly unforgettable. The new Se7en may not have come then, but with a decade of hindsight and the presence of unbalanced sequels, the first Saw has matured into very favorable colors. 70% ()

gudaulin 

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English The overwhelming majority of films in this style don't even fall into the B-movie category; they're more like C-movies and have a woefully semi-amateurish character. Saw significantly stands out from these productions with its professionalism and is currently the actual pinnacle of the genre. It boasts a relatively sophisticated script, professional direction, editing, camera work, and acting performances that don't elicit disdainful smiles. Along with its horror atmosphere, strongly naturalistic shots, and effective ending, it creates a perfect cocktail to become a box office hit. On the other hand, the script isn't so well-developed that it can avoid inconsistencies and some clichés. The editing at times resembles music video production, and the flashbacks only serve to delay the story. Overall impression: 60%. Subsequent installments of this film lacked the originality of the original and were merely squeezing money from the pockets of viewers. ()

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