Rambo: First Blood Part II

The change in style away from the low-key and raw part one is perhaps a little too extreme. John Rambo’s second battle for survival unfortunately degenerated into a pure B-grade action movie. Although the truth is it’s quite fun. Here in the Czech Republic, though, Rambo: First Blood Part II will more likely be remembered as one of the first VHS cult movies, rather than a movie known for its qualities. (09/02/2022)

The second installment is clearly the most cerebral work about John Rambo. On the other hand, it is so beautifully crystal clear in its humor ("Rambo, you made good choice") that it has an irreplaceable place within the series. It's never going to be the best Rambo film (that's still the luxurious fourth Rambo for me), but the honestly acknowledged comedic parts and its indelible imprint on pop culture are what make the second one the second one. "What you choose to call ‘hell’, he calls home." (21/09/2019)

Not nearly as good as the first one, Rambo II is a typical example of the sequel syndrome: a bigger budget, more action, more visual effects, less story, less atmosphere. The beginning is still quite interesting, as it practically starts right where the first part ended, but then it goes downhill. (05/07/2005)

I have a lot of nostalgic memories of my childhood, when the "forbidden" Rambo was a myth for me and my friends during the Bolshevik era, a film that circulated on poorly dubbed cassettes. I'll never forget how we watched it at a friend's house and I felt like the biggest dissident under the sun, or like Rambo. When I saw it again years later, I had to laugh at what a naive but still brisk action film it is, and the fond memory of the weird 80s, full of bad taste :) (27/09/2003)

This is a movie that I've seen before and I thought it was the original first Rambo. Now I know my mistake and I'm quite glad that I clarified this chronology. The second film, however, is still a more famous piece, thanks in part to its parodies - see "Hot Shots! Part Deux". Sly and James Cameron, however, wrote a screenplay that is not just a shallow slaughter, but there is still something more here. John Rambo is no longer a man who needs to come to terms with the dark shadow of Vietnam, but he must deal with the consequences of the previous film. He may pay too high a price for freedom. (30/11/2013)