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New York, 1941. Socially conscious scriptwriter Barton Fink (John Turturro) has made it big on Broadway. Now Tinsel Town is taking notice. Hired by Hollywood to write a wrestling picture, Barton quits the city smog for movie stardom. L.A. has got the Barton Fink feeling. Barton Fink has got writer's block. Enlisting the help of able assistant Audrey (Judy Davis) and amiable neighbour Charlie Meadows (John Goodman), Fink finds the real-life inspiration he seeks come from the most sinister of sources. From master movie makers the Coen Brothers comes the unanimously acclaimed Barton Fink, The hitting, offbeat comedy story of Hollywood heartache, faceless movie moguls and headless corpses. (Umbrella Entertainment)

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English A symbolic wrestling of empty narrative with expressive style, which in sum tells us nothing much and remains only a methodical contemplation of the unbearable lightness of creative (in)being. Precise performances (another iconic supporting role for John Goodman), visually really imaginative and at times almost Kafkaesque atmospheric, but insanely drawn out in the first half, providing no clues to get into the main character's strange story with sincere interest and sober attention. While I admire the Coen brothers' poetics of expression, Barton Fink is an unusually forgettable film by their standards, though the last twenty minutes, on the other hand, constitute their immortal magnum opus. I’ll gladly watch it again some day; for the time being, strong 3*. ()

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