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Requiem for a Dream tells the parallel stories of four Coney Islanders for whom the dream of a better life comes at any price and by any means. For middle aged widow Sara, loneliness leads to dependence on a TV game show and dangerous diet pills. Her wayward son Harry and his mate Tyrone scheme to make a quick fortune selling drugs, but soon find themselves high on their own supply. Harry's girlfriend Marion, sees her own dream, a career in fashion design, go up in smoke. (Icon Home Entertainment)

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angel74 

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English I don't think I've ever seen a comparably unpleasant film about addictions of all kinds, and truth be told, I don't want to see it again. I have to admit, however, that the ever-repeating merry-go-round of fast cuts, coupled with the intrusively infectious musical accompaniment, had such a frantic gradation as the end approached that it was hard to resist. That's actually one of the reasons I decided to like this film. My great admiration, however, goes to Ellen Burstyn, whose riveting performance outshined all the others. (75%) ()

Marigold 

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English Straightforward - transparent - destructive. Although one swears that Aronofsky is working with his triad of destinies so ostentatiously that the viewer cannot be caught with his pants down, it happens nonetheless. Thanks to famous editing, fantastic music and a gourmet tempo, and the atmosphere of the shots, Requiem for a Dream escalates into unbearably creaking tones of frustration and humiliation. Mansell's central melody makes one feel cold, but the visual poem Darren composed for it tears the skin. Although the film typically does not have a particularly deep interior, its surface is so perfect and so well targeted that it cannot be resisted. ()

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J*A*S*M 

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English I’ve just watched it and I’m full of impressions. This film should be mandatory for anyone thinking about trying drugs. I can’t remember ever watching a more intense and more hopeless film. Even the beginning is no idyll and things only get worse with every minute, and by the end the situation is utterly bleak. Aronofsky seems to be a huge talent and I don’t think it’s too off the mark to say that he’s one of the most promising directors today. The way he plays with images, music and sounds is just perfect, the direction of the dream and hallucinogenic sequences is truly psychedelic. 100% ()

D.Moore 

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English Requiem for a Dream confirmed that I really don't like movies about drug addicts. If it weren't for the story of Harry's mother, I'd probably give it a single star for the direction and the music and that would be it. My problem is that I wanted the worst possible ending for virtually all the characters (except for the aforementioned Sara Goldfarb) from the very beginning. And that is why the ending, praised by many, full of emotions and evoking depression, didn't touch me particularly. All in all, I think the only thing that really impressed me was the (brief, because I always closed my eyes) sight of that inflamed hand. Two and a half stars. ()

lamps 

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English After a second screening I have to say that Requiem for a Dream has become one of the most influential and powerful film experiences of my life. Few other films can evoke such a feeling of depression and at the same time impress with their first-class formality, which doesn't so much cross the line of perfection as push it by leaps and bounds. If something seemed slightly unfinished or overdone the first time, the second time I was completely swept away by the geyser of fresh ideas and bold shots, everything seemed to be exactly in place and the intensity of the story was all the more overwhelming because it was achieved without any big twists or ideas. It’s almost unbelievable how Aronofsky can wring the viewer out with just a few clever cuts, and how Clint Mansell can create a stifling and unpleasant atmosphere right from the start with a single musical motif that couldn't have been better and makes you wonder how something so beautiful and chilling could have been composed in the first place. And the final trump card is the absolutely amazing cast, Leto, Connely and Wayans give the performances of a lifetime, but all of them are topped by the phenomenal Ellen Burstyn, whose creation is breathtaking and academics deserve a good beating over the head with a dictionary to understand what the word acting means. Maybe I'm writing a bit hastily now, with the central melody and the breathtaking, flawlessly edited final scene still running through my head, but from my point of view this is one of the most worthwhile films of all time. If you've ever thought for even a brief moment about taking hard drugs, watch Requiem for a Dream and the craving will pass quickly. 100% ()

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