Batman Begins

Nolan's trilogy logically begins with Batman’s origin, which had been neglected to such an extent up until then. Today the situation is a bit different, but it was not a bad move then. Batman needed a revival and audiences needed to forget the last film of the last series, Batman & Robin. Nolan relied on good actors and a realistic style within reason. This was yet another contribution to the great family of DC films and helped bridge a decade when the style of the genre was changing fundamentally. (05/05/2022)

No gothic buildings, spinning shots of newspaper headlines, jokes, positive emotions, digital eye-candy effects or a catchy soundtrack. Batman Begins is no fairy-tale fantasy. It’s Insomnia with Batman – a bleak drama about a real person set against the backdrop of the real world. What makes the film unique is the gravitas of the lead and supporting characters and their incorporation into the dramatically dense, emotionally engaging and intelligently told story. Everything in the film is physically palpable, the psychology of the characters is well developed, and the characterization of Bruce Wayne is literally a dissection of the development of his personality, a clarification of the reasons for which he became who he is. As a true character actor, Christian Bale redefines the cult of his character’s name. His Batman is not an exemplary hero. Rather, he is extraordinarily angry and enjoys the superficial vices that his wealth affords him. The bombastic cast is not without purpose and elevates the film to the level of a spectacular celebration of the comic-book genre. The action is great, though not quite as great as in Spider-Man. But does that really matter? It’s pains me not to give it five stars, but as an eternal idealist, I would have liked more plot innovation in the second half, which is rather guided by comic-book rules. The first half, however, is worthy of six stars. (24/06/2005)

This is how it should have been. Finally, someone was found who rectified Burton's embarrassing blunders (not to mention Schumacher's botched "closure" of the series). This is the true Batman, the dark knight beneath the mask, with a cape hanging on his back and an uncontrollable resentment in his heart. Few could have been a better Bruce Wayne than Christian Bale. The hero of Equilibrium managed to improve his acting expression even further, and whenever he hesitated or became furious, a shiver ran down my spine. But the main hero here is Christopher Nolan and the team of screenwriters who managed to create precisely the atmosphere that the first episode of a comic book series should have. An exhilarating 90% and a final wink with the promise of the unexpected... (11/07/2005)

The raw atmosphere of Gotham is portrayed perfectly and better than ever in Nolan's first Batman film. Thank goodness it was Christopher Nolan who took on the new Bat-saga, and he really did it in his own excellent way, showing us that Batman can be taken seriously and his fate and mission can be identified with. Though Batman Begins is mass-market entertainment, as it should be, it doesn't lack rather well-developed characters (in the old Batman you would have a hard time looking for some more complex psychological connections), the overall atmosphere is more than decent, and in the end really a bit apocalyptic :)), which is only to the benefit of the whole thing. I was a skeptic at the time, thinking that Chris Nolan couldn't top his first Batman. Everyone probably knows all too well how horribly wrong I was. P.S.: The cast is fanatically fantastic. :) (08/01/2010)

The thing that has always fascinated me most about the character of Batman is how controversial his film adaptations can be, or rather, how perfectly they can be screwed up. I've never been very interested in Burton's versions, I felt they were too colourful farces with many bizarre characters that looked borrowed from his other films, and I preferred to avoid Schumacher's infamous vision for good due to the horrible and mocking reviews, But Nolan? He showed here his exceptional skills and level... Some individuals, too spoiled by repeated viewings of the other two episodes (myself included), which possess a far greater dose of narrative innovation, a more noticeable aura of physical menace, and a more atmospheric Zimmer soundtrack, rightly consider Batman Begins to be the director's weakest effort, but that doesn't change the fact that as a grand opening to the most epic comic book saga since the turn of the millennium, these 140 minutes, and every second of them, work absolutely brilliantly. The first half, marked by flashbacks and time jumps, is masterfully orchestrated so that the viewer never loses track and is drawn into the plot – still built on a series of clichés uncharacteristic of Nolan – while the second half is a comic-book action romp, the epitome of Batman, with everything we imagine when we say his name. The fight scenes are a bit muddled at times, but they have an orgiastic visual charge, Zimmer is very much felt and the actors, led by the charismatic Bale, play their parts with a gusto and precision unprecedented for a blockbuster. As part of the series, 4*, but as a standalone film, it’s clear... 90% (29/07/2012)