Halloween

  • USA John Carpenter's Halloween (more)
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The undisputed touchstone of cinematic horror, John Carpenter's Halloween has been admired and imitated for over 30 years. Original masked monster and enfant terrible Michael Myers continues to haunt the zeitgeist as one of the most terrifying and misunderstood creations since Mary Shelly's Frankenstein. On October 31, 1963 Police attend a disturbance at the seemingly quiet neighbourhood of Lampkin Lane, Haddonfield and discover 11 year-old Judith Myers lying in a pool of her own blood. Stabbed to death by her 6 year-old brother Michael, victim of a devastating fratricide, with ripples felt by an entire community, a legacy of terror begins. Institutionalized for 15 years, Michael breaks out to fulfil his insatiable bloodlust. The only person who understands the murderer behind the mask is psychiatrist Dr. Sam Loomis (Donald Pleasence). He knows Michael is coming back to Haddonfield to wreak havoc once more, for tonight the residents of Lampkin Lane live and die in the long dark shadow of Halloween. (Umbrella Entertainment)

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Reviews (12)

Stanislaus 

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English Halloween is undoubtedly a classic of its genre, it made Jamie Lee Curtis one of the most famous scream queens of all time, and even after forty long years since its premiere it still manages to evoke suspense and terror, even though the ravages of time have taken their toll. In addition to that, it features one of the most iconic horror soundtracks that manages to strain despite its simple theme and creates a truly uncomfortable atmosphere. A must-see film for fans of the genre, but even a mostly horror-uninitiated viewer like myself will find something to enjoy. ()

D.Moore 

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English A few years later, I have to add that fifth star, because Halloween is a unique film. The unsettling atmosphere escalates to a heart attack ending, John Carpenter does not take it easy on the characters or the viewer, uses edgy long shots from Myers's point of view and shows him as sheer evil, which you have no problem believing. That there is strength in simplicity is 100% true here. And Jamie Lee Curtis is amazing. ()

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Isherwood 

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English At the beginning, Carpenter dives headlong into it, without much hesitation, immersing himself in a suspenseful theater with murderous interludes. However, as he initially steps on the gas in all directions, unfortunately, halfway through, he takes his foot off the pedal, and with a slowed pace comes an undeniable feeling that what was originally supposed to be suspenseful (and it really could have been) starts becoming boring. While the absence of a plot may be forgivable, especially in the case of masterful formal execution, Carpenter failed to handle it here. If only the scenes had a slightly better flow, giving it a perfect review wouldn't be a problem. In this way, Carpenter's attempt at a perfect slasher film with one of the most mysterious and psychopathic killers in cinema remains slightly unfinished. However, considering the relative perversity of the audience and the acting skills of some of the performers, it is possible to become a fan of the film. ()

gudaulin 

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English A cult horror film that, despite decent direction by John Carpenter, never managed to entice me simply because I completely miss the point of these kinds of slasher films thematically. Few subgenres are filled with as many clichés and foolishness as this one. Only Scream and Scream 2 caught my attention in this field because of the ironic perspectives. On the other hand, if there has to be a slasher film, it should be in Carpenter's style. His followers often simply plagiarized him. Overall impression: 45%. ()

Malarkey 

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English The moment you hear that iconic melody, you know peace is out the window. This is the pinnacle of 70s horror. The tension is so thick you could cut it with a katana. John Carpenter had an uncanny knack for orchestrating cinematic murders — taking just long enough to make you want to tear your hair out in suspense. ()

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