The Chronicles of Narnia: The Lion, the Witch and the Wardrobe

The film’s reputation of being a mix of Harry Potter and The Lord of the Rings is absolutely nonsensical. The target child audience combined with a properly functioning fantasy world only works in terms of very broad themes. Andrew Adamson may be able to sit in front of a computer and work with his team to create the animated adventures of an ogre, but he hasn't managed to lay the groundwork for a new fantasy saga. Adamson relies solely on the visuals (which in many cases are quite shoddy) and completely disregards any kind of lifespan of Narnia as a world that is meant to keep the viewer hooked. The director tries to compensate the very lengthy first half with a more action-packed second half, but any drive is wasted thanks to the lack of heroism of the child characters, who become the saviors of Narnia more or less thanks to a few cuts between some sloppy dialogue. Adamson also lacks an eye for detail - how I wished that when Peter first drew his sword, the camera had slowly taken in its shining metal in all its glory. The cameraman was completely incomprehensibly restrained, which makes the magnificence of the final battle completely disappear and the film as a whole is a disproportionately long fairy tale, one that I would enjoy only after blowing out the eighth candle on my cake. (03/04/2006)

I can't help it, but the first part never impressed me. The only thing I truly appreciate about it are the tricks, both classic and digital. They simply look amazing. However, the story didn't engage me, nor did the characters, except maybe Aslan. I'm surprised that the series is still continuing and more parts are expected. (14/03/2015)

No grateful spectacle from successful morning teenage fantasy, on the contrary. Missing the last 20 minutes would be the prototype of a truly unpleasant film for me. The children argue the whole time except for the ending, and their actors (possibly except for Lucy) are incredibly annoying. In combination with eye-catching tricks, lecturing Aslan, and not-so-likeable supporting characters, it's truly a big defeat. (05/03/2006)

If I didn’t know that Andrew Adamson had not directed both Shrek films, I would consider him an ordinary Disney man who edits films about animals, talking cars, and dreaming children on an assembly line. His direction is the greatest routine, and in The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, the routine is ice-cold, withdrawn, scenic, without any hint of mysticism, mystery or atmosphere. Narnia is simply a snowy space behind a magic closet - a space where ungainly fairy-tale creatures live, a space that is controlled without any motivation or inner logic. None of this fit into the film. Actually ... it would be alright if it was clear from the film that it was a fairy-tale spectacle, but attempts at battle epics ala The Lord of the Rings (and the constant literal quotes of some shots) lead me to conclude that The Chronicles of Narnia is kind of a pig-dog. As a fairy tale it has no magic and charm, and as a fantasy epic it is terribly naive, shallow and lacks any mythology. Compared to Jackson's Middle Earth, the interpretation of the fantastic land of C. S. Lewis is tame, flat, two-dimensional. The kid actors unnecessarily overact, their characters in no way captivate the viewer, and paradoxically, the whole story is carried by computer creatures headed the truly excellent lion Aslan. As the embodiment of ice evil, Tilda Swinton resembles more than anything a shady clone of the vampire brothers from The Matrix Reloaded, and even her minions do not have the proper energy to bring a spark of drama to the trivial scheme of the story. Even so, The Chronicles of Narnia is watchable thanks to the dry digital effects; however, one feels no wonder when watching it, and that bothers me a lot when watching the fantasy genre. [50%] (30/10/2006)

Aslan, a witch, a bunch of rascals, some animals, and Santa Claus dealing out weapons... The old TV series adaptation is much better. Unfortunately, this is well-made only in technical terms (but not excellent), without a hint of ideas or invention. It’s boring, and if it weren't for the soundtrack and Tilda Swinton, it would be hard to watch to the end. The naivety of the story can hardly be blamed on the filmmakers, because it is already present to a much greater extent in the original book. But they can be reproached for the casting of the child actors. The children are absolutely unbearable, and some of them (or all?) you truly want to kill. The whole thing looks like perfectly standard consumerist and harmless family-friendly (in the bad sense of the term) Hallmark entertainment. (29/10/2006)