Payback

When it premiered, I gave Payback 4 stars and I must admit with a certain blush that it charmed me in its own way - and I am not a fan of the genre or even Mel Gibson. It is a film made with ease and it is straightforward, simple, genre-pure, and a cool ride where the pace never slackens and the usual clichés are presented tastefully and with a pervasive sense of irony. On the other hand, as the years went by and I read the book, it impressed me much more with its darkness, complexity, and ambiguity. Besides, it is impossible not to notice how the film approaches the character of the violent, murderous, and thieving protagonist, presenting him to the viewer as a likable rascal. This story is hard to believe, and I left behind my teenage years when I would have identified with this portrayal a long time ago. Overall impression: 60%. (27/05/2020)

I've always liked Mel Gibson and in this tough thriller, where he plays an action hero, he simply fits. The whole thing is stylized, as if it was almost shot based on a comic book. It was based on a novel, but the visual side was managed well. It's properly tough, the story is not completely stupid, on the contrary, it's quite elaborate. I liked this movie once and nothing has changed even after some time. (07/05/2014)

Genre-wise Payback is essentially an unclassifiable film. It doesn't have a classic plot, it doesn't distinguish between good and evil, and it also doesn't map out the actions of the main characters. Mel Gibson is a man of moral principles and that's where it ends, he can't be called either “good” or “bad”, and perhaps that's exactly what makes Payback such a stylish ride. Of course there is also a polished formal side (filters, sets, cinematography) and a few gems (sadomasochism, a parade of bosses, corrupt cops, etc.) that cannot be overlooked and are captivating matter what you think of them. The plot is basically banal, but everything works like a well-oiled machine. Brian Helgeland is damn well aware of the squalor of the material and doesn't give the viewer a chance to realize this fact, bombarding them with one stylized shot after another and with main characters so interesting that it's hard to believe. (09/03/2007)

A brilliantly built-up thriller with a pace that is simply unreal in the second half. And yet so little is enough... Just steal $140,000 (no, sorry, just $70,000) from Mel Gibson and you'll unleash the kind of carousel of murders, shootouts and badass one-liners that we only remember from the first Die Hard. Gibson shines in his role and enjoys it to the fullest, but the supporting characters are also given a memorable portrayal by the actors, whether I'm thinking of the bad guys Henry, Kristofferson and Coburn or the pretty sharp hooker Lucy Liu. Simple, straightforward, harsh – just the way it should be. (23/07/2012)

A rakish, hardheaded gangster played by Mel Gibson, the pretty blonde he cares about, a couple of dumb corrupt cops, a pile of violence, some sado-masochism and, mainly, a dozen goons whose “coolness” increases as they gradually get to know each other, from the biggest bungler to the biggest, toughest and most uncompromising boss. And all of this wrapped up in nostalgic, grey-blue camera filters and hellishly black humour. A delicious treat! (10/08/2002)