The Terminator

Suffocating and adrenaline-fueled sci-fi that time's tooth can't seem to gnaw away. Arnold probably will never inspire as much respect and fear again. Moreover, without this series, temporal paradoxes and the entire science fiction genre would be completely different today. Ideas like the one about a robot that has to change the past in order to alter the future occasionally come up, but fitting them into the right screenplay is already a form of cinematic art. (02/04/2006)

The sci-fi genius of James Cameron is a classic genre now. The battle for the future that is being fought today with Arnold Schwarzenegger in his best role. Each frame of film is soaked in a wonderful atmosphere and the tension could be cut by a knife. Iconic moments await on every corner and Cameron’s sense for detail is also incredible (the little joke about cigarettes, the close up of the careering truck). The screenplay is faultless and believable in the sense that it doesn’t contain anything too unreal. The special effects are excellent for the time and everybody’s acting, headed by Arnold, is immaculate. Just add the best theme music of all time and we get a unique movie experience. (20/11/2006)

One of the films that had a powerful influence on me growing up. Like many others, I saw it on a VHS copy of a copy of a copy, and I instantly loved it. So much so that I still enjoy watching it today. True, the effects correspond to the time it was made. Even though they are of a high standard, the scene in which Arnie takes out his eye is just not as impressive today because of the obviously rubber face. I don't mean the film is bad, on the contrary, I think it’s definitely one of the best sci-fi thrillers ever made. Arnie was born to play T-800 (minimum acting and maximum thick German accent) and it was thanks to him that I sided with the dark side of the force for the first time. (02/08/2016)

Before The Terminator, James Cameron was an unknown aspiring director who did not offer any guarantees of box office success. He had just finished filming the routine B-movie Piranha Part Two: The Spawning, which did terribly at the box office, and he also worked as an assistant director on several projects, the most significant of which was Carpenter's Escape from New York, where he helped create the special effects. However, Cameron dreamed of a grand, uncompromising, and gritty sci-fi film. His script caught the attention of Orion Studios, and he was able to start filming. The result was a dark action sci-fi film with the successful casting of the rising action star Arnold Schwarzenegger as the cyborg. Originally, the studio suggested Schwarzenegger to Cameron for the role of the soldier later played by Michael Biehn, but Cameron understood the advantage of Schwarzenegger's dog-like, emotionless face, which perfectly suited the character of a nerveless cyborg. Additionally, the film featured dynamic editing by Mark Goldblatt, a clever camera that captured some shots from the cyborg's point of view, and atmospheric music by Brad Fiedel. The character of the cyborg was created by Stan Winston. Cameron decided not to spare the audience and filled the story with corpses. All these ingredients together meant huge box office success and the birth of a hit that launched Cameron's stellar career and confirmed Arnold Schwarzenegger's status as an action star, for whom The Terminator became a defining role. The script included, among other things, an elaborate time loop and a few interesting scenes from the dark future. Overall impression: 75%. (18/01/2008)

More than a legend. With Terminator, Cameron opened his iconic window of visual treats, which he has been successfully expanding and even improving ever since. The amazing storyline, set to the rhythm of depressingly pulsating music and properly lethal action scenes, doesn't give any room at all for all the general shortcomings such as verbosity or monotony, instead presenting a pure exhibition of zany effects, cool catchphrases and fun car chases that never ceases to entertain and at the same time doesn't allow us not to take it seriously. Arnold is iconic, Michael Biehn is likeable, and Cameron is a film terminator himself.... It's a pity that Lance Henriksen was underused, but the director paid him back in Aliens. 95% (20/04/2011)