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A group of scientists has cloned Lt. Ellen Ripley, along with the alien queen inside her, hoping to breed the ultimate weapon. But the resurrected Ripley is full of surprises for her "creators," as are the aliens they've imprisoned. And soon, a lot more than "all hell" breaks loose. To combat the creatures, Ripley must team up with a band of smugglers, including a mechanic named Call (Ryder), who holds more than a few surprises of her own. (official distributor synopsis)

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Reviews (12)

Kaka 

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English Definitely the most exotic slimy adventure in the entire series. Far from being as mysterious as the first one, militant as the second one, or depressive as the third, the fourth Alien is something in between comedy (excellent wisecracks), horror (lots of slime everywhere you look, and the failed clones), and classic sci-fi, full of high-tech devices and robots. Jean-Pierre Jeunet's touch is beautifully evident, especially in the camera movements and the composition of certain scenes. Technically, it is of course brilliant and the underwater scenes are awesome. Surprisingly, Sigourney Weaver still has charisma. ()

Stanislaus 

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English Jean-Pierre Jeunet's Alien film is completely different from the previous three and the influence of the new director is evident. Visually, this is a pretty well done piece of filmmaking (for its time), in which I was most impressed by the "underwater scene". If it wasn't for the horrible alien hybrid at the end, I would have thought about a nice 4*, but as it is, it's just an average sci-fi flick that tries to cash in on its predecessors as much as it can. In short, it's a good thing it all ended here, because the drop in quality is already pretty noticeable. ()

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novoten 

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English Jeunet managed the impossible with Whedon's script on his back. He sent the weakening series back to the top, stirred up a breathtaking well of ideas, and had no problem digesting Fincher's previous vision. Each pivotal scene is a demonstration of first-class tension, and whether I am watching a perfectly timed underwater escape or a captivating panopticon of previous experiments, I can only smile contentedly at how amazingly unrestrained the entire Resurrection is. When Ripley then becomes an amazing creature with unprecedented charisma and the circle closes at the very end, I even contemplate whether this daring attempt is the best work of the saga. Ultimately, Scott's first film wins by a nose, but because the second half of the movie is the best I have ever seen in the Alienverse, there is no doubt about the highest rating. ()

3DD!3 

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English At long last.. As different as a sequel can be, the horror atmosphere has been replaced by an action sci-fi joyride. Whedon’s screenplay delivers a lot of unexpected situations and a solid story. It may not be as atmospheric as the first two installments, but I like its original approach too. And part four is definitely the most abundant in catchphrases. ()

lamps 

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English A very worthy conclusion to a famous horror franchise. Almost twenty years had passed since the first episode was filmed and it’s quite evident in the result. Jean Pierre Jenuet decided to gift Alien fans with a flurry of modern horror action, gore, and goofy main characters, especially Sigourney Weaver, who is very badass and definitely fits into my action hero column. Unfortunately, the more complex story brings with it a number of inconsistencies and plot holes. However, these are quite well patched up by several extremely good scenes, of which I would highlight, besides the duel underwater, also the final slaughter of the alien, during which you will feel, besides disgust, also a bit of emotion. ()

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