Walk the Line

Narratively, it’s very similar to Ray, with an equally straightforward and essentially very simple plot, relying mainly on the strong performances. However, unlike Taylor Hackford, James Mangold has a much greater sense for portraying intimate scenes, and above all, Walk the Line is much more sincere and honest as a whole, compared to the overly politically correct Ray. Joaquin Phoenix and Reese Witherspoon give their absolute best and their performances rank among the finest to be seen in the past year – Reese's Oscar is very well-deserved. Unfortunately, Johnny Cash's biopic has its downsides as well. These include a somewhat too simple script, a bit too many clichés and those typically polished and visually appealing scenes that, with a bit of attention, are transparent as glass. Solid and above all proper craftsmanship, and in the end, just slightly better than the purely average, somewhat tedious and slightly tiring Ray. (14/08/2006)

For me, the movie that showed me that biographical films can be and are interesting, which has been confirmed in recent years to some extent, although of course not with every piece. Just remember "Behind the Candelabra!" Joaquin Phoenix inexplicably did not win an Oscar, despite his brilliant performance in which he managed everything, including singing. By the way, another reason why the film is excellent - Johnny Cash's songs. (24/12/2013)

In the world of cinema, there is perhaps nothing more perfect than when life itself writes the story. I was never a huge fan of Johnny Cash, finding his work somewhat outdated for its time, but after watching this film, everything changed in an instant. Much of the credit for this surely goes to the mesmerizing Joaquin Phoenix, who seems to have blended into the character of the famous musician, so fully and truly putting himself into the role. Most likely, his fascinating performance also spurred Reese Witherspoon on, as she gave her best and became his equal partner in the role of his fateful love. I have to give a huge shout-out to both of them, as they shone not only as actors but also as singers and indelibly imprinted their hearts on Walk the Line. The soundtrack has such a laid-back vibe that I'm tempted to get it. From a filmmaking point of view, there is virtually nothing to fault with this spectacle. (90%) (02/03/2021)

In the context of the film's ambitions, which largely focus on the more complex and mainly darker side of Johnny Cash's personality, there's not much to reproach. Mangold is very adept at navigating the rock 'n' roll scene and wild life of the 60s, and he handles the interweaving of the three basic plot levels – Johnny's mental decline, the fateful love between him and June, and the problematic relationship between him and his father – with understated craftsmanship. But the film sticks to this scheme so tenaciously that the true and unique story about the beginnings of a music legend ends up being a classic Hollywood romance devoid of any surprises. But that doesn't change the fact that the film itself is great, that Johnny Cash's music is timeless, and that Joaquin and Reese not only look great together but also sing absolutely amazingly well. Superb filmmaking, deservedly rewarded with the attention of the Academy. 85% (23/07/2014)

Walk the Line is a musical biopic in the mold of Ray, but it’s a bit more sincere and concise, without so much Hollywood artifice, which can only be a good thing. Plus the superb duo of Joaquin Phoenix and Reese Witherspoon. If only they would start making such movies about directors, which are closer to my heart than musicians, with the same degree of love… (19/01/2006)