From Russia with Love

It's unbelievable how this film from 1963, which was already completely different in terms of filmmaking, managed to inspire and captivate me. Bond's lines and grimaces haven't aged even after 50 years. Some effects are naturally clunky, but the can be tolerated thanks to the pace and strong script. Excellent villains, a fantastic fight on a train, and above all, an incredible pace. Compared to the first installment, it's a huge leap forward. I expected to watch it more out of obligation, but I devoured it with unexpected enthusiasm. Even back then, they were able to beautifully utilize the settings – Istanbul and Venice – with a sense for excellent cinematography. (23/12/2013)

007__#2__One of the best Bond films. It has an interesting compact plot by Bond standards, cool villains (the girl with the bayonet in her shoe is great, Martin Shaw as a straightforward killer), and the few action scenes are pretty good and brisk (well shot train fight). A big improvement compared to Dr. No. (01/10/2005)

The best Bond movie with Sean Connery. Or rather... The best Bond movie ever. Significantly different that the rest and more of a classic cloak-and-dagger movie. However it’s the most serious one and thrilling at the same time, a bit tongue in cheek with a lot of action and also quite realistic in places. For instance the fight in the train compartment is the type of a physical action which you don’t usually find in a standard Bond movie (well at least not until Craig’s arrival). (17/11/2004)

A deviant contribution to the British film crown jewels, but one that brings a heap of contradictions. For some, this is the very signature of Bond, one they would like to see more often, and I acknowledge that the tough battle with the cold spy adversary is among the best that the sixties adventures could offer. However, watching it with the removal of six decades is sometimes painful because a disastrous first half precedes a thrilling second half. In the first half, empty dialogue is carried out, episodic scenes are chained together, and opponents of 007's sexist face have a field day. The highly positioned female antagonist is portrayed as an ugly box, and as a reward for saving the group, the main hero is reluctantly offered two women from the local community. And there are lots of other things that are too much a product of their time, causing my smile to twist into a cringe unnecessarily often. Sean Connery himself, of course, plays it with a charm all his own, but this time it almost wasn't enough. (07/01/2022)

The most genuine spy film of all the Bond films. Connery's Bond met his match in Robert Shaw. SPECTRE and the Soviet Union got a proper hammering, without unnecessary frantic action scenes. It definitely belongs to the best of this genre. (03/08/2016)