The Black Phone

Like the source material, which is not one of the best pieces in the collection (in fact, I didn't remember the story at all, unlike others), the film version of The Black Phone is not a groundbreaking work. Actually, it’s not even horror, rather a thriller with supernatural elements. Is it a shame? Quite the contrary! The film is so well shot and acted (the child actors, the brother and sister, are perfect) that it is strongest in those scenes where nothing supernatural happens and it’s simply about people. The supernatural is important, but in the exact spirit of Hill, it's not really explained properly and serves more as a deus ex machina, which was fine with me. The excellent period atmosphere and the superb villain took care of the rest. (23/07/2022)

In my eyes, Scott Derrickson has done it again, and hasn't faltered once in his career, including that piece of craft slavery in the form of a Marvel movie. He's just a smart kid. I could actually do without the supernatural element here, but I understand that it is crucial to the development of the plot. It's not horrifically spooky, but it's finely unsettling, the seventies production design paces flawlessly, and Ethan's masks are creepy enough to make his personality both repulsive and appealing. And on top of that, a double pleasure: the performance of the charismatic boy Mason Thames and the discovery that Jeremy Davies can give a solid performance if the director leads him to do so. I give a shout-out to the musical dramaturgy for Pink Floyd's "On the Run" (from the album "Dark Side of the Moon") at the very end. (06/04/2023)

The screenplay is an adaptation of a 20-page short story yet seems like it crammed in a four-pound novel. Lots of unrelated scenes, an unnecessary number of supporting characters, implausible interactions and relationships, and most importantly, the whole thing is totally littered with plot holes. Scott Derrickson boasts that unlike other directors, for him a test audience is not an annoying obstacle but a creative collaborator, and this film looks it. (15/10/2022)

For a film that was supposed to be one of the highlights of this year's horror season, The Black Phone is terribly basic. There's really nothing extra beyond what the synopsis says and what the trailer showed. I kept hoping that Derrickson and Hill held some sort of ace up their sleeve, but alas. It's well made, it has quality actors and likeable characters, a creepy bad guy, but what's the point when it's more period atmospheric than scary, the rules of how the supernatural works float in a vacuum, the finale lasts about a minute, and the only minor plot surprise elicits raised eyebrows rather than appreciative shock at the screenwriter's abilities. A watchable genre film, but we should demand more from Scott Derrickson's cinematic horror. (20/07/2022)

Scott Derrickson has got the touch like few others. It's shot in exactly that unsettling thriller tone, plus it has top-notch sound design. Narratively, it's maddeningly unbelievable (from the kid fights to the phone gags to the final showdown), but overall it holds together by the skin of its teeth in some weird way. It's not much, but for unpretentious one-time viewing it's doable. [60%] (18/07/2022)